Wolfgang Holzmair

Wolfgang Holzmair是奧地利男中音，特別是他的藝術(shù)歌曲演唱會很是成功。畢業(yè)后他在維也納音樂學(xué)院開始研究聲樂和戲劇藝術(shù)，并在1981年的國際聲樂比賽中獲得二等獎。Holzmair具有較高的中，重低音，雖然許多歌劇角色需要更沉重和較深的類型，但他曾在一個折衷的曲目中演出超過40個音符。1989年他非常成功的在威格摩音樂廳首次亮相，他的態(tài)度、智力、音樂、戲劇受到普遍贊賞。

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奧地利男中音霍茲邁爾是1982年維也納音樂協(xié)會國際藝術(shù)歌唱大賽的冠軍得主，他的男中音跟傳統(tǒng)德奧男中音的低沉音色不同，而是偏輕且能唱到很高的音域，因此特別適合藝術(shù)歌曲演唱，尤其是他在1989年到英國舉行演唱會大獲成功后，更奠定他成為當(dāng)代最受歡迎藝術(shù)歌曲男中音的地位。

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霍茲邁爾對德語的掌握和表達(dá)的深入，再加上圓滑斷句，令他的德國藝術(shù)歌曲特別受到推崇。許多專業(yè)樂評人更很快就成為他的崇拜者，認(rèn)為他是在新世代歌唱家中，少有能夠掌握詩歌節(jié)奏于演唱中的頂尖人物。

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Wolfgang Holzmair was born in V?cklabruck, Austria, and studied at the Vienna Academy of Music and Dramatic Art with Hilde R?ssel-Majdan (voice) and Erik Werba (lied).

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The singer performs in recital throughout the world, including London, Lisbon, Moscow, New York, Seoul, Washington, at the Ris?r Festival (Norway), Bath, Belfast and Edinburgh festivals (UK), Menuhin Festival (Switzerland), Bregenz and Carinthian Summer festivals (Austria) in collaboration with leading accompanists and pianists of our time.

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Holzmair is also active in the opera world. Roles include Masino in Haydn’s La vera costanza, Papageno and Speaker of the Temple (Magic Flute), Don Alfonso (Cosi), Eisenstein (Fledermaus), Wolfram (Tannh?user), Faninal (Der Rosenkavalier), Music Master (Ariadne), the Father (Hansel and Gretel by Humperdinck), Danilo (The Merry Widow), Eduard (Neues vom Tage by Hindemith) or Demetrius (A Midsummernight’s Dream by Britten).

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Equally in demand on the concert platform, he sings with leading European and American orchestras, such as the Israel Philharmonic, Berlin Philharmonic, Budapest Festival, Vienna Symphony, Leipzig Gewandhaus, Dresden Philharmonic Orchestra, Cleveland and Concertgebouw Orchestras and the Orchestra of the Age of Enlightenment, under eminent conductors including Blomstedt, Boulez, Chailly, Frühbeck de Burgos, I.Fischer, Haitink, Harnoncourt, Norrington, Ozawa.

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Mr. Holzmair has an extensive discography of operas, concerts and songs ranging from Haydn, Beethoven, Schubert Brahms and Wolf to contemporary composers. His recordings have met with critical acclaim. For years he has also been a committed advocate of works, especially lieder, by formerly persecuted composers as is evidenced by his Krenek, Mittler, Zeisl, Schreker and Terezin/Theresienstadt CDs. His recording of Ein deutsches Requiem with Herbert Blomstedt won a Grammy award.

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Since 1998 he has taught lied and oratorio at the Mozarteum in Salzburg and given master classes in Europe, Japan and North America. He is also a visiting professor of the Royal Academy of Music (London) and a fellow of the Royal College of Music (London).