Kevin Blechdom

簡(jiǎn)介: 其實(shí)Kevin Blechdom是化名,原名為Kristin Erickson的她玩的是實(shí)驗(yàn)電子音樂(lè)。
不過(guò)和一般的實(shí)驗(yàn)電子的虛無(wú)不同的是,她的作品不僅瘋狂詭異,而且相對(duì)的實(shí)在些,觸感強(qiáng)烈。
從她的音樂(lè)里面可以豪不費(fèi)勁的感覺(jué)到她的精神狀態(tài),絕對(duì)的異于常人,當(dāng)然 更多>

其實(shí)Kevin Blechdom是化名,原名為Kristin Erickson的她玩的是實(shí)驗(yàn)電子音樂(lè)。
不過(guò)和一般的實(shí)驗(yàn)電子的虛無(wú)不同的是,她的作品不僅瘋狂詭異,而且相對(duì)的實(shí)在些,觸感強(qiáng)烈。
從她的音樂(lè)里面可以豪不費(fèi)勁的感覺(jué)到她的精神狀態(tài),絕對(duì)的異于常人,當(dāng)然,相比之下,另一張專(zhuān)輯“Bitches Without Birches”則更能體現(xiàn)這一點(diǎn)。
One of the most irreverent and gifted producers of experimental electronic music, Kevin Blechdom (Kristen Erickson) got her start with partner Blevin Blectum in Blectum From Blechdom at Mills College while studying computer music. With their custom-made programs, the duo stripped the normally academic field of experimental music of its studious mentality and replaced it with child sounds, cartoon effects, and intentionally brutal compositions. Under much protest from formalized and academic composers, the duo won second place in the prestigious Ars Electronica in 2001 for The Messy Jesse Fiesta, which was released on Deluxe Records. After the duo's rather public and tumultuous split, Kevin went on to record several solo endeavors for small, limited-run labels and Tigerbeat 6, this time with more of an emphasis on blending acoustic instrumentation with computer programming. Many of those recordings were compiled with new ones (including a moving version of Tina Turner's "Private Dancer") on 2003's Bitches Without Britches for Chicks on Speed Records and 2005's Eat My Heart Out.

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    發(fā)行時(shí)間:2023-11-14