Aníbal Troilo

小簡(jiǎn)介
Anibal Troilo，著名的阿根廷探戈音樂(lè)家。他對(duì)于探戈舞蹈的描述輕靈生息，文字通感仿佛能讓我們?cè)谀X中浮現(xiàn)出探戈舞池的畫(huà)面，然后穿過(guò)那濃烈的紅舞裙，看到在布宜諾斯艾利斯街頭起舞的少年們。也許，說(shuō)到底，Anibal Troilo最向往的還是在那個(gè)城市街頭拉手風(fēng)琴的生活。舞蹈，本來(lái)就是人們性情的流露，熱愛(ài)生活、熱愛(ài)情感、熱愛(ài)表達(dá)，那就大膽用探戈舞起來(lái)。
Tango pioneer Anibal Troilo was born in 1914, cutting his teeth playing bandoneón behind Ciriaco Ortiz, Julio De Caro, Angel D′Agostino and Enrique Santos Discépolo prior to founding his own orchestra in 1937. During the 1940s he ranked among the most influential figures in Argentinian music, famed for his oft-imitated Troilo Sound — a rich, fluid approach to the tango which juxtaposed staccato and legato figures. A celebrated composer and arranger, Troilo was also a superb bandleader with a rare eye for talent — the legendary Astor Piazzola, virtuoso bassist Kicho Diaz and singers Francisco Fiorentino, Alberto Marino, Floreal Ruiz and Roberto Goyeneche are just a handful of the notables who passed through his orchestras ranks. During the 1950s Troilo also helped lay the groundwork for the emergence of the nuevo tango sound popularized by Piazzola, and he recorded regularly for labels including Odeon, T.K and Victor until his death in 1975.