Close Lobsters

by Stewart Mason
An unfortunately short-lived but utterly wonderful neo-psychedelic jangle pop band, Close Lobsters only managed two albums and an EP in their brief career, but all three releases are brilliant, some of the best music of the late-80s U.K. indie scene.
Close Lobsters were formed in the Scottish village of Paisley (prophetically enough, given the bands psychedelic tendencies) in 1985 by singer Andrew Burnett and drummer Stewart McFayden. The pair couldnt decide between the names the Close and the Lobsters and simply combined the two for their nonsensical but evocative handle. Adding guitarists Tom Donnelly and Graeme Wilmington, plus Burnetts brother Robert on bass, Close Lobsters gained some early notoriety when their song Fire Station Towers showed up on the legendary New Musical Express cassette C-86, which lent its name to an entire movement of post-punk guitar bands. Close Lobsters had a greater commitment to melody than most of the C-86 bands, though, as shown on their first single, Going to Heaven to See If It Rains, which was released in November 1986. A second single, Never Seen Before, appeared in April 1987, with a superior re-recorded version of Fire Station Towers and a cover of the Only Ones Wide Waterways on the flip.
The quintets first album, Foxheads Stalk This Land, was released in late 1987 to lukewarm response in a U.K. press already tired of the C-86 propaganda, but its inviting mix of jangle pop, hazy psychedelia, inscrutable lyrics, and monster guitar hooks gained Close Lobsters a small but fervent following on the U.S. college radio scene. A follow-up single, Lets Make Some Plans, came out in early 1988; this new song and four other excellent tracks were collected by Close Lobsters American label, Enigma Records, and released as the EP What Is There to Smile About? in the summer of 1988. Simple and direct, without a wasted note, its probably the best Close Lobsters release. For the U.K. fans, Strange Fruit released Close Lobsters four-song Janice Long Session from July, 1986, including the a-sides of the first two singles, the B-side Nothing Really Matters and Pathetic Trivia, which would be reworked as Pathetique on Foxheads Stalk This Land.
Close Lobsters second full album, Headache Rhetoric, was released in March 1989. Darker and less immediately accessible than either of the bands previous releases, with a druggily psychedelic vibe akin to Loves best work, its the sort of album that takes a while to sink in but packs a mighty wallop once it does. Unfortunately, it sank almost without trace in the U.K., and Enigma Records by this time was undergoing the financial problems that would cause it to fold within the year, so the label was unable to capitalize on the bands cult success in the states. After a final EP, Nature Thing, with appropriate covers of Neil Youngs Hey Hey My My (Into the Black) and Leonard Cohens Paper Thin Hotel on the flip, was released in the spring of 1989, Close Lobsters quietly called it a day.