Ron Carter

國(guó)籍：美國(guó)

職業(yè)：貝司手/大提琴手

The epitome of class and elegance, though not stuffy, Ron Carter has been a world class bassist and cellist since the 60s. Hes among the greatest accompanists of all time, but has also done many albums exhibiting his prodigious technique. Hes a brilliant rhythmic and melodic player, who uses everything in the bass and cello arsenal; walking lines, thick, full, prominent notes and tones, drones and strumming effects, and melody snippets. His bowed solos are almost as impressive as those done with his fingers. Carter has been featured in clothing, instrument, and pipe advertisements; hes close to being the bass equivalent of a Duke Ellington in his mix of musical and extra-musical interests. Carters nearly as accomplished in classical music as jazz, and has performed with symphony orchestras all over the world. Hes almost exclusively an acoustic player; he did play electric for a short time in the late 60s and early 70s, but hasnt used it in many, many years. Carter began playing cello at ten. But when his family moved from Ferndale, MI, to Detroit, Carter ran into problems with racial stereotypes regarding the cello and switched to bass. He played in the Eastman Schools Philharmonic Orchestra, and gained his degree in 1959. He moved to New York and played in Chico Hamiltons quintet with Eric Dolphy, while also enrolling at the Manhattan School of Music. Carter earned his masters degree in 1961. After Hamiliton returned to the West Coast in 1960, Carter stayed in New York and played with Dolphy and Don Ellis, cutting his first records with them. He worked with Randy Weston and Thelonious Monk, while playing and recording with Jaki Byard in the early 60s. Carter also toured and recorded with Bobby Timmons trio, and played with Cannonball Adderley. He joined Art Farmers group for a short time in 1963, before he was tapped to become a member of Miles Davis band. Carter remained with Davis until 1968, appearing on every crucial mid-60s recording and teaming with Herbie Hancock and Tony Williams to craft a new, freer rhythm section sound. The high profile job led to the reputation thats seen Carter become possibly the most recorded bassist in jazz history. Hes been heard on an unprecedented number of recordings; some sources claim 500, others have estimated it to be as many as 1,000. The list of people hes played with is simply too great to be accurately and completely cited. Carters been a member of New York Jazz Sextet and New York Jazz Quartet, V.S.O.P. Tour, Milestone Jazzstars,and was in one of the groups featured in the film Round Midnight in 1986. Hes led his own bands at various intervals since 1972, using a second bassist to keep time and establish harmony so hes free to provide solos. Carter even invented his own instrument, a piccolo bass. Carters also contributed many arrangements and compositions to both his groups and other bands. Hes done duo recordings with either Cedar Walton or Jim Hall. Carters recorded for Embryo/Atlantic, CTI, Milestone, Timeless, EmArcy, Galaxy, Elektra, and Concord, eventually landing at Blue Note for LPs including 1997s The Bass and I, 1998s So What?, and 1999s Orfeu. When Skies Are Grey surfaced in early 2001.