Dennis McCarthy

Dennis McCarthy在其兒童時(shí)代變開(kāi)始練習(xí)鋼琴和小提琴。在完成學(xué)業(yè)之后，便已是一位受人尊重的編曲和指揮。他的音樂(lè)生涯開(kāi)始于60年代后期,在Glen Campbell Goodtime Hou中作為一名音樂(lè)導(dǎo)演。后來(lái)成為了Alex North的音樂(lè)助理。在80年代開(kāi)始其個(gè)人的音樂(lè)生涯之前，他協(xié)助這位偉大配樂(lè)人完成了其多部佳作。McCarthy早期的很多作品都是為當(dāng)時(shí)很受歡迎的電視系列譜寫(xiě)的配樂(lè)，比如：&V&, &Dynasty&, &MacGyver&, &The Twilight Zone&.他首次進(jìn)入公眾視野是因其1987年受雇為 &Star Trek: The Next Generation&譜寫(xiě)的配樂(lè)。也從那時(shí)起他成為了Star Trek團(tuán)隊(duì)的一員。為此后的多季貢獻(xiàn)了音樂(lè)，在1993年為&Deep Space Nine& 譜寫(xiě)了主題音樂(lè)，1994年為第七部Star Trek電影&Generations&譜寫(xiě)了配樂(lè)。McCarthy主要為一些小規(guī)模電視電影作品包括：現(xiàn)在很成功的&Overkill: The Aileen Wuornos Story& (1992), &McHale's Navy& (1997), &Breast Men& (1997), &Letters from a Killer& (1998), 還有一些根據(jù)Danielle Steele的小說(shuō)改編的系列。McCarthy曾六度獲得愛(ài)美獎(jiǎng)的提名，并于1993年因?yàn)?Deep Space Nine&譜寫(xiě)了主題音樂(lè)而獲獎(jiǎng)。2001年因其為Star Trek第五季譜寫(xiě)了配樂(lè)而廣受好評(píng)。近幾年他也涉足音樂(lè)劇界創(chuàng)作完成了Horton Foote 的&Getting Frankie Married, and Afterwards& 配樂(lè).
 
One of the most in-demand composers for films and television, Dennis McCarthy has spent his life in and around music. Growing up, in North Hollywood, California, McCarthy played violin and piano. He studied Engineering and Physics at Northridge and UCLA while supporting himself by playing weddings and frat parties on the weekends. Eventually Dennis joined the ranks of the &Surf and Car& groups and began a new career as a keyboardist in the studios. One of the musicians he met in those years was Glen Campbell, when he was a session guitarist. When Glen became a star and recorded &Gentle On My Mind& and &By The Time I Get To Phoenix& he asked Dennis to join him as a keyboardist. As Glen’s fame grew, he needed an ‘on the road’ arranger/conductor and McCarthy took on the challenge of a musical self-education and the mentoring of many wonderful musician/arrangers.
 
The association with Campbell, who was at the peak of his popularity in the late 1960s as a crossover singer hitting it high on both the country and pop charts, led to McCarthy’s first television work, acting as the musical director on the long running &Glen Campbell Goodtime Hour& variety show. Dennis also served as musical director for three seasons of &The Barbara Mandrell Show.& He went on to become Alex North's scoring assistant, working with the great composer on many of his finest works, including orchestrating North’s score to &Wise Blood,& before McCarthy embarked on his own composing career in the early 1980s.
 
One of the first people McCarthy met during his stint as a road musician was Marty Paich, a television music director who first recognized McCarthy’s musical abilities. Nelson Riddle became another source of inspiration; it was Nelson who suggested McCarthy spend more time composing and arranging rather than playing the piano on the TV show.
 
McCarthy spent four years on &Glen Campbell Goodtime Hour,& working and learning from Marty Paich as well as Ray Charles, who was the show’s choral director, and also Earl Brown who also worked on the show. An opportunity to compose a film score in England opened doors for McCarthy when he returned to Hollywood, giving him experience in orchestral writing while also giving him a feature film credit that created new opportunities in Hollywood. One of them led to &Enos,& a spin-off of &The Dukes of Hazzard,& which McCarthy began to compose in 1981. A fistful of TV scores for Warner Bros followed included &V: The Final Battle,& the new incarnation of &The Twilight Zone,& &Dynasty,& &MacGyver,& and a few movies-of-the-week like &Sam Houston: The Legend Of Texas& and &Sworn To Silence.& With George Doering, McCarthy flexed his blues muscles and composed the music for a series called &Houston Knights,& which led to an assignment scoring the first of the two-hour &Police Story& shows.
 
McCarthy found himself basking in public prominence when he was hired as one of the regular composers on &Star Trek: The Next Generation& in 1987, and since then has contributed music to all the subsequent Star Trek series, including scoring the seventh Star Trek movie, &Generations& in 1994. McCarthy’s musical versatility hasn’t stayed still for episodic television, however – he has scored a number of feature films and made-for-TV movies, including &Overkill: The Aileen Wuornos Story& (1992), &McHale's Navy& (1997), &Letters from a Killer& (1998), and several mini-series based on the popular novels by Danielle Steele.
 
McCarthy is a seven-time Emmy nominee, and won the award in 1993 for his work writing the main title to &Deep Space Nine& and again in 1996 for the score to the episode, &Unification, Part 1& from &Star Trek: the Next Generation.& He also recently jumped into theatre work for South Coast Repertory in Costa Mesa, CA, composing the music for &Of Mice And Men,& &Much Ado About Nothing,& &On The Jump,& &The Dumb Show,& &Dicken’s Christmas Carol,& &The Beard Of Avon& – the premier of the Amy Freed play, &Getting Frankie Married, and Afterwards& a play by Horton Foote which also premiered at the SCR. Among his latest projects, Dennis is scoring the TV sitcom &Related,& for Warner Bros Television.
 
Dennis currently lives in Burbank with his wife Patty and is within driving distance of their three children and their eight grandchildren.