Annette Hanshaw

她是歷史上的第一位流行爵士樂(lè)女歌手，代表作有等。和Ethel Waters， Bessie Smith and the Boswell Sisters齊名。她的演唱風(fēng)格是不受拘束的，和1920S年代受新爵士樂(lè)影響的流行音樂(lè)很相符。雖然她自己對(duì)她的聲音評(píng)價(jià)不高，但是由于她把打擊樂(lè)的靈魂和她天真的聲音巧妙的融合在一起。她一直擁有很多的歌迷， Hanshaw被大眾稱(chēng)為"個(gè)性女孩"。而且她的標(biāo)志性口頭禪就是"That's all，" 這點(diǎn)被Nina Paley 導(dǎo)演的著實(shí)惡搞了一把。每次動(dòng)畫(huà)版的SITA唱完歌(Hanshaw的原聲)都不忘在最后加上一句"就這樣吧" 大家在很多唱片的結(jié)尾都會(huì)聽(tīng)到她稚氣的這一句"That's all"。在1926年的9月到1934年的2月份。她出了很多唱片，1926年Annette和原來(lái)的pathe公司簽約到期（唱片貼了Pathe和Perfect標(biāo)簽）1928年6月，她簽了哥倫比亞唱片公司。大多數(shù)唱片都被貼了Harmony，Diva， Clarion，Velvet Tone的商標(biāo)開(kāi)始在他們的打折商店出售，少數(shù)幾張才貼了哥倫比亞的商標(biāo)在正常價(jià)格出售。但是大部分都是用她的名字發(fā)表的。
by Scott Yanow
One of the first great female jazz singers, in the late 20s Annette Hanshaw ranked near the top with Ethel Waters, the Boswell Sisters, and the upcoming Mildred Bailey. Unlike her contemporary Ruth Etting, Hanshaw could improvise and swing while also being a strong interpreter of lyrics. She was not quite 16 when she started her recording career, and her recordings (1926-1934) included such major jazz players as Red Nichols, Miff Mole, Jimmy Lytell, Adrian Rollini, Joe Venuti, Eddie Lang, Vic Berton, Benny Goodman, Manny Klein, Phil Napoleon, Jimmy Dorsey, Tommy Dorsey, and Jack Teagarden. Billed as the Personality Girl, Annette Hanshaw (whose trademark was saying, Thats all at the end of her record) soon got tired of show business and retired in 1934, at the age of 24. She lived outside of music for the rest of her life, but fortunately most of her records were reissued on British LPs in the 1970s and 80s.