簡(jiǎn)介：
by Richie Unterberger
Like the better-remembered Adam Faith, John Leyton had a lot of success in Britain in the early 60s with lugubri 更多>
by Richie Unterberger
Like the better-remembered Adam Faith, John Leyton had a lot of success in Britain in the early 60s with lugubrious teen idol pop that was only tenuously related to rock & roll. Not much of a singer, his hits are most notable for Joe Meeks inventive production, which utilized ghostly female backup vocals, variable-speed pianos, and swirling wind effects. Most of Leytons earliest (and most successful) material was written by Geoff Goddard, a songwriter who often penned compositions for Meeks acts; heavy on loner melodrama, it often used pseudo-wild west galloping rhythms and lyrical themes. Johnny Remember Me and Wild Wind were huge hits for Leyton in 1961, and Son This Is She and Lonely City also made the Top 20 soon afterward. But in 1963, Meek and Goddards association with Leyton ended; that circumstance, combined with the British beat boom, cast Leyton adrift immediately, although he found a lot of acting work in television and film to keep him busy.
