Andrew Gold

by Jason Ankeny
Best remembered for his mid-70s smashes Lonely Boy and Thank You for Being a Friend, pop singer/songwriter Andrew Gold was born in Burbank, CA on August 2, 1951. The son of composer Ernest Gold (who won an Academy Award for his score to the film Exodus) and vocalist Marni Nixon (the singing voice of Natalie Wood in West Side Story and Audrey Hepburn in My Fair Lady), he first attracted attention as a member of the Los Angeles band Bryndle alongside Kenny Edwards, Wendy Waldman and Karla Bonoff; in 1973, both Gold and Edwards joined Linda Ronstadt, appearing on classic albums including 1974s Heart Like a Wheel and 1975s Prisoner in Disguise. A noted arranger as well as a skilled multi-instrumentalist, Gold swiftly emerged as one of the most sought-after session musicians on the West Coast scene, and his resume — including dates with James Taylor, Carly Simon, Loudon Wainwright III, and J.D. Souther — reads like a Whos Who of the singer/songwriter movement.
In 1975 Gold released his self-titled solo debut; its follow-up, Whats Wrong With This Picture?, was his commercial breakthrough, notching an international hit with Lonely Boy. Never Let Her Slip Away, from 1978s All This and Heaven Too, also reached the British Top Five, but the albums most enduring moment remains Thank You for Being a Friend, the blockbuster ballad later remade as the theme song for the hit sitcom The Golden Girls. However, 1980s Whirlwind stiffed, and Gold was cut loose from his contract with Asylum; after spending the early part of the decade touring with Ronstadt, he teamed with 10cc alumnus Graham Gouldman to form Common Knowledge, recording a self-titled LP in 1984. Gold and Goldman then rechristened their duo project Wax UK, notching a minor hit in 1986 with Right Between the Eyes. Bridge to Your Heart was a British smash in 1987, but after 1989s A Hundred Thousand in Fresh Notes Wax UK disbanded.
Returning to his solo career, in 1991 Gold issued his first effort in over a decade, Home Is Where the Heart Is, before immersing himself in production work for artists ranging from Nicollette Larsen to Stephen Bishop to Eikichi Yazawa. In 1995, he reunited with Bonoff, Edwards, and Waldman in a new incarnation of Bryndle, releasing an eponymous LP before Golds move to Connecticut forced him to leave the group soon after. 1996 saw the release of a new solo effort, ...Since 1951, as well as Halloween Howls, a record for children. Leftovers, a collection of unreleased material, followed in 1998. After producing country singer Lisa Angelles self-titled debut in 2000, Gold released his own collection of country songs, The Spence Manor Suite. Bikini Wax from 2003 collected rare material from Golds days in Wax. In 2005, the label Collectors Choice Music reissued his first four solo albums with bonus tracks.