Stray Cats

在80年代早期，音樂界產(chǎn)生了一次成熟的山區(qū)鄉(xiāng)村搖滾復(fù)興，Stray Cats是其代表。 如果說作為八十年代最出色的Rockabilly樂隊(duì)Stray Cats完成了繼承與鞏固，那么更重要的是他們將這股風(fēng)潮帶回了八十年代，也直接影響并帶動了很多具有此類風(fēng)格的樂隊(duì)的發(fā)展。
 
The key group of the early-80s rockabilly revival, the Stray Cats scored several big hits on both sides of the Atlantic thanks to a striking visual style tailor-made for the early days of MTV, as well as genuine musical chops that evoked the best players of rockabillys original heyday. The Stray Cats were formed by guitarist/vocalist Brian Setzer in the Long Island town of Massapequa, NY, in 1979. At first, Setzer played rockabilly covers in a band called the Tom Cats with his drumming brother Gary and bassist Bob Beecher; however, Setzer soon abandoned that group to join up with newly rechristened school friends Lee Rocker (born Leon Drucker) and Slim Jim Phantom (born James McDonnell). However, their retro 50s look and sound didnt go over well around Long Island, and in the summer of 1980 the group headed to England, where a rockabilly revival movement was just beginning to emerge.
 
After one of their gigs in London, the Stray Cats met producer Dave Edmunds, well known as a roots rock enthusiast for his work with Rockpile and as a solo artist. Edmunds offered to work with the group, and they entered the studio to record their self-titled debut album, released in England in 1981 on Arista. They were popular right out of the box, scoring three straight hits that year with Runaway Boys, Rock This Town, and Stray Cat Strut. The follow-up, Gonna Ball, wasnt as well received, and stung by the negative reviews, the Stray Cats decided to return to the States and make a go of it. They signed with EMI America and in 1982 released their U.S. debut, Built for Speed, which compiled the highlights from their two British LPs. Helped by extensive airplay on MTV at the height of the anything-goes new wave era, Rock This Town and Stray Cat Strut both hit the American Top Ten, over a year after their British chart peaks. As a result, Built for Speed was a left-field smash, and the Stray Cats were seen as avatars of retro style. Their second American album, Rant n Rave With the Stray Cats, appeared in 1983 and produced another Top Ten hit in (Shes) Sexy + 17, as well as a minor Top 40 entry in the doo wop-styled ballad I Wont Stand in Your Way.
 
Personality conflicts began to emerge in the ways the individual members handled their newfound success; Phantom married actress (and former Rod Stewart paramour) Britt Ekland, while Setzer made guest appearances with stars like Bob Dylan and Stevie Nicks and became the concert guitarist for Robert Plants Honeydrippers side project. In late 1984, Setzer broke up the band amid much bad blood. Rocker and Phantom immediately teamed up with guitarist Earl Slick and recorded an album as Phantom, Rocker & Slick, while Setzer waited a couple of years before releasing his roots rock solo debut, The Knife Feels Like Justice. By 1986, fences had apparently been mended enough for the Stray Cats to reconvene in Los Angeles and record the covers-heavy Rock Therapy, which didnt sell that well. The trio returned to their respective post-Stray Cats projects, which both released albums that performed disappointingly. In 1989, they reunited once again for the album Blast Off, which was accompanied by a tour with Stevie Ray Vaughan. No longer with EMI, the Cats entered the studio with Nile Rodgers for the lackluster Lets Go Faster, issued by Liberation in 1990. 1992s Dave Edmunds-produced Choo Choo Hot Fish also attracted little attention, and after another covers album, Original Cool, the group called it quits again. They have since reunited periodically for live performances. Setzer, of course, went on to spearhead the 90s swing revival with his Brian Setzer Orchestra, which performed classic big band swing and jump blues tunes, as well as Setzer originals.