簡(jiǎn)介： by Scott YanowA distinctive trombonist with a sly wit and the ability to sound as if he were playing underwater, Vic Dickenson was an asset 更多>
by Scott YanowA distinctive trombonist with a sly wit and the ability to sound as if he were playing underwater, Vic Dickenson was an asset to any session on which he appeared. He stated out in the 1920s and 30s playing in the Midwest. Associations with Blanche Calloway (1933-1936), Claude Hopkins (1936-1939), Benny Carter (1939), Count Basie (1940), Carter again (1941), and Frankie Newton (1941-1943) preceded a high-profile gig with Eddie Heywoods popular sextet (1943-1946); Dickenson also played and recorded with Sidney Bechet. From then on he was a freelancing soloist who spent time on the West Coast, Boston, and New York, appearing on many recordings (including some notable dates for Vanguard) and on the legendary Sound of Jazz telecast (1957). In the 1960s, Dickenson co-led the Saints and Sinners, toured with George Weins Newport All-Stars, and worked regularly with Wild Bill Davison and Eddie Condon. During 1968-1970, he was in a quintet with Bobby Hackett and in the 1970s, he sometimes played with the Worlds Greatest Jazz Band.
