荷爾蒙小姐

荷爾蒙小姐簡介

2011年，荷爾蒙小姐樂隊(duì)組建于成都，在四川音樂學(xué)院這方沃土上孕育而成。當(dāng)時(shí)的成都小酒館正是獨(dú)立音樂的圣地，隨著頻繁在那里的演出，她們的聲譽(yù)也越來越高。作為一個(gè)全女子樂隊(duì)，她們反感被人介紹和評(píng)價(jià)為只是幾個(gè)漂亮姑娘而已。從Foals、LCD Soundsystem和Le Tigre的音樂中捕捉靈感，她們用充滿激情的電子搖滾和出眾的音樂才華證明著自己。2014年，荷爾蒙小姐開始了第一次的全國巡演。城市之間，舞臺(tái)上下，狂躁的舞臺(tái)風(fēng)格激發(fā)著在場的樂迷，產(chǎn)生出一種高度分化的內(nèi)分泌細(xì)胞合成并直接分泌入血的化學(xué)信息物質(zhì)-荷爾蒙。她們很快得到眾多關(guān)注，也被譽(yù)為最佳現(xiàn)場的新人之一。隨著向獨(dú)立音樂的靠攏，一個(gè)機(jī)會(huì)卻瞬間改變了她們的未來。通過參加電視音樂比賽節(jié)目，突然間使她們得到了很多關(guān)注，好壞參半。但是她們必須為樂隊(duì)的未來，重新做出選擇。 電視節(jié)目效應(yīng)的確為她們帶來了名氣，但同時(shí)也伴隨著世人的憤怒。在她們還沒考慮好未來方向的時(shí)候，一切來得太快，走商業(yè)路線會(huì)幫樂隊(duì)出名，但可能會(huì)限制自我的探索和創(chuàng)造力，或是形成一種淪為流行創(chuàng)造機(jī)器這種尷尬的局面。此時(shí)，他們對(duì)未來的分歧導(dǎo)致隊(duì)內(nèi)關(guān)系一度緊張，前鍵盤手最終離隊(duì)。 自此，荷爾蒙小姐開始了新的探索。2016年6月，她們與FakeMusicMedia / FakeLoveMusic非刻文化簽約。小雪在2017年也離開了樂隊(duì)，頂替吉他手位置的是現(xiàn)成員王驕。在經(jīng)過Gang GangDance 前鼓手兼制作人Tim DeWit和ReptileYouth 的Esben Valloe的指導(dǎo)之后，荷爾蒙小姐終于在2017年年底底完成了她們的全新專輯，季一楠、Pierre Guignard擔(dān)任制作人，Tim DeWit也參與了后期制作及混音。 新專輯將是荷爾蒙小姐蛻變后嶄新的一步。新專輯傳遞的是更加成熟、反思的聲音。相較于以往更趨于受眾口味的歌曲，現(xiàn)在她們的新歌更具探索性，不僅只是新的聲音，也呈現(xiàn)著她們走出校園、踏入社會(huì)后的新身份、新立場。 新專輯打破固有而老舊的一切，滲透并揮發(fā)出全新的能量，是在成都灰暗天空下一種成熟而憂郁的觀察。你可以深切感受到她們第一次看到這個(gè)真切的世界：前方曲折顛簸的道路、被污染而渾濁的空氣、對(duì)新歡的幻想背后是心碎失望的真相、超越人類認(rèn)知理解的一方水土，還有那些尚未觸及的人生教訓(xùn)和哲理。這是年輕人學(xué)著認(rèn)識(shí)這個(gè)世界、處理不滿、找尋出口的一張專輯，向你講述四個(gè)女孩的故事，講述她們探尋能量為自己發(fā)聲、挑戰(zhàn)這個(gè)世界，也挑戰(zhàn)著自我。 2018年，荷爾蒙小姐將進(jìn)行跨全國20站的巡演。新專輯《The Hormones》將通過FakeLoveMusic于2018年3月初在中國各大數(shù)字平臺(tái)同步推出。?巡演信息 3月9日 成都 NU SPACE 3月10日 重慶 堅(jiān)果LIVE HOUSE3月11日 貴陽 勁 Livehouse3月14日 曲靖 HUANG·Live寇舍3月15日 昆明 MondernskyLab3月16日 廣州 TU凸空間3月17日 深圳 紅糖罐蛇口店3月18日 廈門 REAL LIVE3月28日 義烏 MAO Livehouse3月29日 寧波 CMK Livehouse3月30日 杭州 LOOPY3月31日 上海 育音堂4月1日 蘇州 WAVE Livehouse4月4日 合肥 ON THE WAY大摩店4月5日 武漢 Vox Livehouse4月6日 長沙 46 Livehouse4月7日 西安 光音164月12日 鄭州 7 Livehouse4月13日 天津 卓揚(yáng)藝術(shù)空間4月14日 北京 愚公移山預(yù)售鏈接：https://www.showstart.com/event/list?type=1&tag=20107 Forming in 2011 around the campus of Sichuan Conservatory of Music as the brain child of Snow, THE HORMONES gradually drew in members from the surrounding Universities. Their reputation grew with frequent gigs at places like Chengdu’s Little Bar, an indie mecca for the then burgeoning indie scene. While being all girls on stage, they hated the idea of being reduced to just eye candy. With a sound inspired by the Foals, LCD Soundsystem, and Le Tigre, their tight energetic dance rock and musicianship quickly elevated them above that perception. In 2014, they embarked on their first China Tour. Playing sweatbox venues around the country to ecstatic audiences they soon were pegged one of the most interesting newcomers to the scene. As they slowly moved up the indie ranks, an opportunity came that changed their path for the next few years. Choosing to go on a TV show contest for bands, THE HORMONES received a sudden wave of attention some wanted some unwanted. And now they had to make some choices that hit like a splash of reality for the band. The show brought them an instant level of fame, along with ire from some of their contemporaries. It came too quickly, and the band perhaps not thinking enough of the consequences afterwards suddenly had to decide if they wanted to go the commercial route that would lead to possible fame but would surely limit their creativity and self-exploration or continue to create things that weren’t acceptable to the pop machine. Their disagreements about the future started to lead to fractures in the once tight group, leading to departure of their former keyboardist.The remaining members choose to go on the route of exploration, and in June of 2016 THE HORMONES signed with Beijing based management and label FakeMusicMedia/ FakeLoveMusic. Snow left in mid 2017 after taking on a musical direction, replaced by guitarist Wang Jiao. After a good deal of mentoring in the studio with Tim DeWit former producer and drummer of Gang Gang Dance and working for WARP under themoniker Dutch E Germ, and Esben Valloe from Reptile Youth, THE HORMONES later finnished their album with producer Ji Yinan & Pierre Guignard, with additional post production and mix from Tim DeWit in late 2017. Their debut, 招手“Beckon”will be THE HORMONES first step into their new skin. They didn’t go halfway, shirking off their dance pop roots like a usedcocoon. Beckon is a much more mature voice of reflection. Their earlier outings were audience driven, their new album now is lead with a sense of exploration, not just of new sounds but a new identity, trying to make sense of the world as they leave the safe confines of school and plunge into the complex nature of society. The album is fractured, and breaths a renewed, punky energy, a more mature melancholic observation of the grey polluted skies that rolls over Chengdu. You feel the band seeing the world as truth for the first time, the bumpy road ahead, the foggy polluted air, the disappointing truth behind the illusion of new love, the magic of places beyond human understanding, and the onslaught of life lessons yet to be learned. It is an album of youth learning to deal with discontent and finding the will to rage against it. 招手“Beckon“ is the story of four girls finding the energy and voice to challenge the world and themselves. They will start this journey with a 20 shows tour through Chin. will come out on early March on all digital platforms in China via FakeLoveMusic.荷爾蒙小姐新浪微博ID：@荷爾蒙小姐樂隊(duì)主唱朱夢蝶：@朱夢蝶zr吉他手王驕：@你們的好噴油yuki節(jié)節(jié)貝斯手明明：@明明的望遠(yuǎn)鏡鼓手娟娟：@周大莉娟