ElisaBat Muse

簡介: Group ELISABAT MUSE founded relatively recently, in 2010, the year. Although the idea of ??a solo project appeared long ago, in a time when 更多>

Group ELISABAT MUSE founded relatively recently, in 2010, the year. Although the idea of ??a solo project appeared long ago, in a time when ElisaBat was 14 and she was dancing. But the road to solo career was rather long.
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First band in life ElisaBat appeared in September of 2001, it was a little-known group called the City, playing in metal-style. At this time, the singer studied at the Moscow Music School № 1. SS Prokofiev class academic vocal. In the summer of 2001, she met with the editor of the music magazine &Rockcor& and later began to write a review of the then unreleased CD.
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At the beginning of 2002 ElisaBat invited to sing in a group infamous Satarial. After recording the album with them ?Tanz Mit ... Tod ?, she left the group Arian Vaejah, where she participated in the recording of the album& ARYAVARTA. &
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In 2003, she was invited to sing with a pretty successful group Nemeton. During one of the rehearsals the group visited Fedor Nikitin, who at that time engaged in the creation of the project experiment and invited to take part in ElisaBat record 2 songs. One was dedicated to the memory of Victor Tsoi and got on the air, &Nashe Radio&.
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In September of 2004, ElisaBat comes to sing in Moscow Cathedral Catholic Cathedral. At the end of this year, leaving ElisaBat Nemeton to sing in a concert of reflection groups. After working with them 4 months, it leaves the team and is actively engaged in learning, participating in academic concerts, performing a variety of classical works.
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In the spring of 2005, the singer was invited to record the album &The Black Messiah& group Ordalion. In May ElisaBat successful singing diploma in music school, and just as well received in the ISI to separate solo singing. In August ElisaBat offered a job teaching in a rock college. After working for half a year in college, she begins to engage with the students as a private teacher.
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In September 2006, ElisaBat receives offers to sing in the commercial pop project Yesenin. Concurrently, it is sound-producer of this project. The main producer of Andrei Ageev suggested she recorded a cover of a popular song of Kansas ?Dust In The Wind? which eventually spun in the air ?Radio One? in Libya. In October 2006, due to the large amount of work in the project activities with the students and the institute, ElisaBat leaves Catholic cathedral choir. After working in the project for almost a year Yesenin, ElisaBat decided to leave it in favor of education.
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2007 is the year for ElisaBat almost all takes place in school, the classroom with students and academic performances. In November, she meets Marie Slip out of Otto Dix, who soon asks her to write something together.
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In spring 2008, the band Morbid Violence invites ElisaBat to record an album and concert performances. In July there was a demo track &Slave big cities& which was the first collaboration with the singer Marie Slip. Autumn Marie Slip asks ElisaBat record vocals for the tracks Otto Dix. In 2009, she released the album Morbid Violence ?Winds Of Madness?, and then Otto Dix ?Shadow Zone&, after which ElisaBat invited to play in a music video for the song &Dream of Spring&, which were used samples of her voice.
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At the beginning of 2010 ElisaBat met keyboardist Clockmaker, which marked the beginning of her solo project, the working title of which was Absinthe. But soon all the projects had to be shelved - the reason for this was university degree. ElisaBat successfully graduated from the Institute with the three services (opera singer, soloist and choir Prepadavatel academic vocal), and then went solo with the Clockmaker. In the songs for the project invested ElisaBat special meaning, so that the words and music were inseparable. Every song written by her as a unique tale, like a painting or a mini-movie, and combines magic and harsh reality. Apparently all because ElisaBat desperate romantic, a dreamer and a realist at the same time hard. Soon were fully prepared two tracks - &Absinthe& and &Sun in chains.& They were in rotation on internet radio Dizzaster and caused a lot of interest from the audience.
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In the summer of that year, the singer met with a group of Ebal, from which the proposals for cooperation, and by the end of the year came the single &Third Rome& for its participation. In August ElisaBat went on tour to Italy with two concert programs (classic and elektronika). Italian public accepted ElisaBat to cheer. In November, Marie Slip again invited ElisaBat vocal samples to record the album &Wonderful Days&. Winter ElisaBat met with Martin Bowes of the British band Attrition, who also invited her to take part in the recording of his new album.
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The entire year 2011 was working on a solo project and entry for Attrition, Ebal and Morbid Violence (with whom she recorded the party for the second album). Also, ElisaBat invited to sing for the new album, Deform, and in the end, a group of bumblebees invited her to play in a New Year's edition of horror stories from Bumblebee and record the soundtrack to it. In February ElisaBat visited the Czech Republic, where she met with a well known local artist and sculptor Reon Argondskim. Once on the show in his fairy grotto, she realized that the magical world Reon is very similar to the one on which she tells in her songs. Without hesitation, she gave Reon listen to your tracks and asked him to make the cover of the album one of his paintings, in which the artist agreed.
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When the solo album was nearly completed, Clockmaker (on which lay a piece of music programming) for family reasons, was forced to go to their homeland. Then did said he would not return. Then it was decided to rename the project in ELISABAT MUSE. By the end of the year for the album, called ?Absinthe is ...? was made 2 remixes by groups PECIAL Roman Rain and Attrition. Was also recorded the song &Bind up my eyes& with Marie Slip.
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In March 2012 the first signs a contract to ElisaBat edition of the album ?Absinthe is ...? a label Gravitator Records. The album was released in April 2012.

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