簡(jiǎn)介: Rainbow Danger Club是 一個(gè)扎根于中國(guó)上海的四人樂隊(duì)。他們兼具實(shí)驗(yàn)、流行、后搖滾、前衛(wèi)搖滾和電子這些音樂元素。他們作為獨(dú)一無二的“實(shí)驗(yàn)流行樂”標(biāo)簽被世界各國(guó)的混音與播客 所推薦。他們多姿多彩而又夸張的舞臺(tái)表演使他們成為中國(guó)最“ 更多>
Rainbow Danger Club是 一個(gè)扎根于中國(guó)上海的四人樂隊(duì)。他們兼具實(shí)驗(yàn)、流行、后搖滾、前衛(wèi)搖滾和電子這些音樂元素。他們作為獨(dú)一無二的“實(shí)驗(yàn)流行樂”標(biāo)簽被世界各國(guó)的混音與播客 所推薦。他們多姿多彩而又夸張的舞臺(tái)表演使他們成為中國(guó)最“噪”的現(xiàn)場(chǎng)。他們以經(jīng)典流行樂,手指撥片式吉他、重型失真貝斯、充滿張力的小號(hào)、聲樂的和諧、 精妙的歌詞、反傳統(tǒng)的譜曲與制作凌駕于爭(zhēng)議與贊譽(yù)之上。 Rainbow Danger Club的第一張完整專輯《Where Maps End》,充滿了雄心壯志,與音樂敘事的主旋律結(jié)合了點(diǎn)童話色彩。在音樂上,它融合了眾多風(fēng)格、樂器與情緒,同時(shí)還保持了樂色上的重心。《Where Maps End》在2011年3月發(fā)行以后,獲得了包括英國(guó)衛(wèi)報(bào)、MTV IGGY和CNNgo在內(nèi)的眾多國(guó)內(nèi)外音樂網(wǎng)站以及博客的好評(píng)。其中的先行單曲《Neighbors on the Rooftops》被City Weekend評(píng)為“2010年度最佳單曲”。上海最有希望的樂隊(duì)之一,Rainbow Danger Club(彩虹危險(xiǎn)俱樂部),在上周五發(fā)行了首張正式專輯。除了傳統(tǒng)的三大件,他們充滿張力的小號(hào)使你很容易想到Arcade Fire或者其他一些正當(dāng)紅的獨(dú)立搖滾樂隊(duì)。而專輯中無處不在的靈光閃現(xiàn),則讓你在聆聽過程中驚喜不斷。
One of Shanghai's most talented new bands, Rainbow Danger Club has been wowing Chinese and foreign music fans since the 2010 release of their debut EP, The New Atlantis. Their theatrical live shows, fantastical lyrics, and lush arrangements have drawn comparisons to the Arcade Fire and the Decemberists as well as David Bowie, Pink Floyd and Berlioz. With the release of 2011’s full-length Where Maps End, Rainbow Danger Club have established themselves at the forefront of a new generation of Chinese rock coming out of Shanghai. Formed in 2009 in Shanghai, Rainbow Danger Club is comprised of Jesse Munson on lead vocals, guitar and keyboard; Dennis Ming Nichols on bass, keyboard and percussion; Michael Corayer on trumpet and Michael Ford on drums. After an inaugural gig in Shanghai’s Harley Bar, the group has played regularly throughout Shanghai, either headlining or with bands such as Boys Climbing Ropes, Duck Fight Goose, Pairs, and X is Y. In the spring and summer of 2011, Rainbow Danger Club toured regionally in China, opening for American prog-rock band Lymbyc System in Hangzhou and organizing and playing in a “Shanghai Invasion” of Wuhan’s Vox Livehouse. Both Where Maps End and The New Atlantis showcase the band’s penchant for epic storytelling in their lyrics and baroque production values. Rainbow Danger Club is unapologically grandiose in their sound and performances. Their album release party was a culmination of the band’s ever-popular live shows, where waistcoats and vintage flying goggles are as common as giddily dancing audience members and rousing, fist-pumping sing-alongs. With limited means (Where Maps End was recorded primarily in lead singer Munson’s apartment and produced by bassist Nichols), Rainbow Danger Club has gathered both a dedicated fan following across China and the world, as well as glowing reviews in the Guardian (UK), CNNGo, and MTVIggy. Their song “Neighbors on the Rooftops” was selected for the Guardian’s Music Alliance Project Global Music Mixtape and voted Best Song of 2010 by City Weekend Shanghai. With fans chiming from as far as the Netherlands, Belgium and South Dakota, Rainbow Danger Club is poised for even more international attention and acclaim in the coming year.