Nicole Cabell

Cabell的祖父， Luther Lanier，是一個(gè) 美國(guó)黑人 院長(zhǎng)在縣司法部門 洛杉磯.[2] 她是 美國(guó)黑人, 韓國(guó)語 并且 白種人 祖先，和在加利福尼亞海灘鎮(zhèn)提出了 Ventura.[3] 作為孩子，她沒有聽到古典音樂，但是她在她的初中帶演奏了長(zhǎng)笛。[3] 她和同學(xué)過去常常一起打籃球和「會(huì)仿效歌劇歌手」。[3] 她的母親鼓勵(lì)她參加學(xué)校合唱團(tuán)。 她為學(xué)校試驗(yàn)了音樂并且是成功。[3] 在15歲， Cabell開始注意「人們能明顯地聽見某事，即使我不能」，她說。 「是類怎樣它是： 當(dāng)他們被提出了對(duì)我"，我通過門走。[3] 她有三年私有唱歌教訓(xùn)在高中與老師琳達(dá)J。 Brice (毫米，印第安納大學(xué))[3] 并且Vincent Sorisio [BM，印第安納大學(xué)音樂學(xué)院，毫米，加利福尼亞州立大學(xué)， Northridge]。 Vincent工作了與尼科爾四年和幾個(gè)月，教練尼科爾通過大范圍聲音保留節(jié)目。 在之下他的監(jiān)護(hù)尼科爾為許多音樂會(huì)、競(jìng)爭(zhēng)和試演做準(zhǔn)備在1995年和1999年之間。 在Eastman尼科爾學(xué)習(xí)了(與約翰Maloy)。 她然后進(jìn)入了 Juilliard學(xué)校 但有只為一非常短期，如同她請(qǐng)求加入美國(guó)藝術(shù)家抒情歌歌劇中心在 芝加哥抒情歌歌劇 . 她呆在那里3年，在中心的主任期間， 理查德Pearlman聲音研究的著名女高音和主任 Gianna Rolandi 并且歌劇傳奇 Marilyn Horne 是她的輔導(dǎo)者。 她仍然學(xué)習(xí)與Rolandi，是最近改名的賴安歌劇中心的當(dāng)前主任。?
About Nicole Cabell
“… a faultlessly gleaming soprano, a technique with no loopholes, and bags of confidence. It should do no harm that she is also tall, slim and glamorous … whatever this soprano chooses to sing, her voice makes wonderful music with it.”
????— Richard Fairman,?Financial Times
Nicole Cabell, the 2005 Winner of the BBC Singer of the World Competition in Cardiff and Decca recording artist, is fast becoming one of the most sought-after lyric sopranos of today. Her solo debut album, “Soprano” was named “Editor’s Choice” by Gramophone and has received an incredible amount of critical acclaim and several prestigious awards: the 2007 Georg Solti Orphée d’Or from the French Académie du Disque Lyrique and an Echo Klassik Award in Germany.
The soprano’s current season includes returns to the Metropolitan Opera for Musetta in?La Bohème?and to the Lyric Opera of Chicago for Adina inL’Elisir d’Amore. Nicole Cabell will also make her New Orleans Opera debut in one of her favorite roles, Juliette. In concert, she will debut with the Cleveland Orchestra and its music director, Franz Welser-M?st, as the soprano soloist in Brahms’?Ein deutsches Requiem?and return to the Chicago Symphony Orchestra for performances of Mahler’s?Symphony No. 4with Markus Stenz and will sing Mahler’s?Symphony No. 2, first with the Singapore Symphony and John Nelson, then with the Accademia di Santa Cecilia and Antonio Pappano in Rome and on tour to La Scala in Milan. In recital, she will be heard in Urbana, IL and Savannah, GA. Future engagements include returns in leading roles with the Metropolitan Opera, the Lyric Opera of Chicago, the Royal Opera House, Covent Garden and the Deutsche Oper, Berlin and opera debuts in Cologne, Montreal and Tokyo.
Nicole Cabell’s past season brought her to the Metropolitan Opera for her house debut in two of her most acclaimed roles: Pamina in?The Magic Flute, followed by Adina in?L’Elisir d’Amore. With her home company, the Lyric Opera of Chicago, she sang Le?la in Bizet’s?Les Pêcheurs de Perlesand an?Opera Concert?at Millenium Park conducted by the company’s Music Director, Sir Andrew Davis. Other opera engagements included two role debuts: the Countess in Mozart’s?Le Nozze di Figaro?with the Cincinnati Opera and Mica?la in?Carmen?with the Deutsche Oper, Berlin. In concert, Nicole Cabell was heard in Copenhagen, Prague, Munich, Frankfurt, Dortmund, Ottawa, Indianapolis and Raleigh. Miss Cabell appeared twice in recital at Carnegie Hall, first for Marilyn Horne’s 75th birthday gala concert, then as part of Jessye Norman’s?Honor Festival, apart from solo dates in Toronto, Berkeley and Cincinnati. A more unusual event in the soprano’s season was a series of cabaret concerts at the Orange County Performing Arts Center.
Miss Cabell’s 2007/2008 season began and ended with performances of the role of Musetta in?La Bohème?with the Lyric Opera of Chicago, the Royal Opera House, Covent Garden and the Washington Opera. Other notable opera appearances included Pamina with Opera Pacific and a concert of Donizetti’s?Don Pasquale?with the Bayerischer Rundfunk. Nicole Cabell was heard in concert in London, Munich, Lyon, Oslo and Pittsburgh as well as in Christmas concerts with the New York Pops at Carnegie Hall. She appeared in recital in Atlanta’s Spivey Hall, Omaha, St Louis and Tryon.
Other recent engagements included many exciting debuts, most notably with the Royal Opera House, Covent Garden as Eudoxie in concert performances of?La Juive, the Orchestra of St. Luke’s at Carnegie Hall in Poulenc’s?Gloria, the Santa Fe Opera as Musetta in?La Bohème, the Opéra de Montpellier as Adina in?L’Elisir d’Amore, the Deutsche Oper in Berlin as Juliette, Ilia in?Idomeneo?and Pamina in?Die Zauberfl?te, as well as the release of her first solo CD for Decca, “Nicole Cabell, Soprano”. Another important recording project was the title-role of Donizetti’s?Imelda de’ Lambertazzi?for Opera Rara, which she also performed in concert in London. Notable concert appearances included?Carmina Burana?and?Honey and Rue?with the Oslo Philharmonic and Andre Previn, an all-Bernstein evening at Harvard with Judith Clurman, the Gorecki?3rd Symphony?with the Minnesota Orchestra and Osmo V?nsk? and a return to the Indianapolis Symphony for a concert of?Opera Arias?with Mario Venzago. Miss Cabell also appeared in recital in London, Tokyo, Hammond, LA, and for the opening of the new hall at Mount Vernon, VA.
Prior to that, Nicole Cabell made a number of debuts, especially in opera with the Palm Beach and Madison Operas for Pamina in?Die Zauberfl?te, with Michigan Opera Theater as Musetta in?La Bohème?and, last but not least, with the Spoleto Festival USA for Juliette in Gounod’s?Roméo et Juliette. She appeared in recital in New York City as part of Marilyn Horne’s Birthday Gala at Carnegie’s Zankel Hall as well as in Chicago, Buffalo and Bradford, PA. On the concert stage Miss Cabell was heard in Louisville in both the Poulenc?Gloria?and Beethoven’s?Ninth Symphony?with Raymond Leppard in both cases, in Milwaukee in a program ofShakespeare-themed pieces?with Nicholas McGegan, in crossover concerts with the Pasadena Pops and in Montreal Opera’s annual gala. She also sang in a?Classical Christmas?program with the Indianapolis Symphony. Later in the season, Nicole Cabell returned to Rome for concerts of Britten’s?Les Illuminations?and Mahler’s?4th Symphony?with James Conlon and the Accademia di Santa Cecilia. In the summer, Miss Cabell made her London concert debut at the Proms in Britten’s?Les Illuminations?with the BBC Symphony Orchestra and Sir Andrew Davis; she returned to the Ravinia Festival for a crossover concert with James Conlon, to the Bard Music Festival for a recital of Franz Liszt Lieder and a concert of music by Halévy and to the Pasadena Pops for evenings of music from around the Mediterranean. She also made her St Louis debut with more crossover concerts with the Compton Heights Band.
While a member of the Lyric Opera of Chicago’s Lyric Opera Center for American Artists (now known as Ryan Opera Center), Nicole Cabell had the opportunity to sing the title-role in Janacek’s?The Cunning Little Vixen?in student matinees as well as to cover the roles of Marzelline in?Fidelio?and Rita Billingsly in the world premiere of William Bolcom’s?A Wedding. Miss Cabell made her extremely successful Orchestra Hall debut with the Chicago Symphony in concerts of Tippett’s?A Child of Our Time?with Sir Andrew Davis conducting. She also made her European debut in concerts of Brahms’?Ein deutsches Requiem?with the Accademia di Santa Cecilia in Rome with Antonio Pappano and Thomas Hampson; she appeared with the Florida Orchestra as the Soprano Soloist in Mahler’s?4th Symphony?with the Florida Orchestra and Stefan Sanderling and in Villa-Lobos’?Bachianas Brasileiras No. 5?with the Baltimore Symphony. Nicole Cabell was heard in recital in Little Rock, AK.
The preceding year she sang Barbarina and covered Susanna in?Le Nozze di Figaro?and appeared as Isabel in?The Pirates of Penzance?at the Lyric Opera, having sung with the same company the role of Crobyle in?Tha?s?in the fall of 2002. In concert, she made her debut with the Oregon Symphony as the Soprano Soloist in Mahler’s?Symphony No. 2?with Carlos Kalmar and repeated Barbarina with the Chicago Symphony and Daniel Barenboim at the Ravinia Festival. In the summer, Miss Cabell was also heard live on?A Prairie Home Companion?in a celebration of Ravinia’s 50th season and sang the role of Lauretta in?Gianni Schicchi?with the Grant Park Festival.
In concert, Nicole Cabell was a featured soloist in Ravinia's All Gershwin Concert with the Chicago Symphony Orchestra under the baton of David Alan Miller, and participated in Ravinia's opening day concert, accompanied by Welz Kauffman. Miss Cabell has appeared as a soloist in Chicago's Grant Park Festival and Lyric Opera Center for American Artists Rising Stars in Concert.
Awards include first place in both the Palm Beach Opera Vocal Competition and the Women's Board of Chicago Vocal Competition. Nicole Cabell was a semi-finalist in the 2005 Metropolitan Opera National Council Auditions and earned first place in the American Opera Society competition in Chicago. She is the 2002 winner of the Union League's Rose M. Grundman Scholarship, and the 2002 Farwell Award with the Woman's Board of Chicago. Nicole Cabell holds a Bachelor’s Degree in Vocal Performance from the Eastman School of Music.
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