簡(jiǎn)介： by Bill DahlDeep-voiced Latimore's sultry mid-'70s output for Miami's Glades label was a steamy marriage of soul and blues. Initially bille 更多>
by Bill DahlDeep-voiced Latimore's sultry mid-'70s output for Miami's Glades label was a steamy marriage of soul and blues. Initially billed as Benny Latimore, the Tennessean began recording for Miami mogul Henry Stone in 1965, and his late-'60s Dade singles are solid deep-soul. Dropping his first name on Glades, Latimore finally found stardom in 1973 with a jazzy reading of T-Bone Walker's "Stormy Monday." He topped the soul lists in 1974 with the anguished "Let's Straighten It Out," a simmering soul/blues hybrid, and encored with the incendiary "Keep the Home Fires Burnin'" the next year. Most of Latimore's Glades sides were produced in Miami by Steve "Every Day I Have to Cry" Alaimo, and when he wasn't cutting his own hits, Latimore acted as a house pianist for parent TK Records. Latimore moved to Malaco during the '80s, his appeal undiminished.
