From the heartbreak harmonies of the ballads to the blitzkrieg instrumental breakdowns, the veteran Doyle Lawson and Quicksilver touch all the bluegrass bases on this follow-up to the more spiritually-focused You Gotta Dig a Little Deeper. Not that this secular album is lacking in inspirational material, as a revival of Leon Payne's "The Selfishness in Man" attests. There's also an otherworldly dimension to "The Phone Call," which tries to heal a fractured father-son relationship. Lawson sings lead on that one, and sounds close to the classic country of George Jones on the title track (where a family portrait fails to show the whole picture), though the younger, higher voice of Jamie Dailey handles most of the other leads. As the album's centerpiece, the instrumental "Tulsa Turn-a-Round" shines the spotlight on the bandleader's lickety-split mandolin. --Don McLeese
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From the heartbreak harmonies of the ballads to the blitzkrieg instrumental breakdowns, the vete更多>
From the heartbreak harmonies of the ballads to the blitzkrieg instrumental breakdowns, the veteran Doyle Lawson and Quicksilver touch all the bluegrass bases on this follow-up to the more spiritually-focused You Gotta Dig a Little Deeper. Not that this secular album is lacking in inspirational material, as a revival of Leon Payne's "The Selfishness in Man" attests. There's also an otherworldly dimension to "The Phone Call," which tries to heal a fractured father-son relationship. Lawson sings lead on that one, and sounds close to the classic country of George Jones on the title track (where a family portrait fails to show the whole picture), though the younger, higher voice of Jamie Dailey handles most of the other leads. As the album's centerpiece, the instrumental "Tulsa Turn-a-Round" shines the spotlight on the bandleader's lickety-split mandolin. --Don McLeese