蟬連Billboard布魯斯專輯榜10週冠軍!!
囊括:“Wonderful Tonight”等20首布魯斯杰作與5首99年歲末首度曝光現(xiàn)場演唱版本
當(dāng)Eric Clapton的手碰到吉他的那一瞬間,藍(lán)藍(lán)的哀怨惆悵頓時(shí)泛進(jìn)情緒的角落,吉他之神的指間與吉他弦間的情感對話,35年來感動(dòng)著無數(shù)樂迷,樹立了布魯斯的典范,從60年代Yardbirds、Cream、Derek And The Dominos樂團(tuán)時(shí)期到70年代單飛后的暢銷金曲“ I Shot The Sheriff”、 “Lay Down Sally”、 “Wonderful Tonight”再到90年代的動(dòng)人小品“Tears In Heaven”、“Change The World”, 勇奪8座格萊美獎(jiǎng),坐擁3張Billboard流行專輯榜冠軍專輯與5張TOP 10專輯的Eric Clapton,追隨布魯斯先鋒Robert Johnson、Muddy Waters的精髓,無時(shí)不刻的以吉他與歌聲表達(dá)內(nèi)心難以言喻的布魯斯心情。
環(huán)球音樂旗下的Polydor音樂廠牌99年匯整推出-蟬連Billboard布魯斯專輯榜10週冠軍專輯【Blues】,正是見證Eric Clapton與吉他指間最藍(lán)色心情對話魔力的精選特輯,全新以數(shù)字化錄音技術(shù)整理他在70、80年代間最經(jīng)典的布魯斯演唱作品,從Delta acoustic 原音布魯斯到芝加哥電子布魯斯,從Bo Diddley、口風(fēng)琴大師Little Walter、二次大戰(zhàn)后布魯斯運(yùn)動(dòng)帶領(lǐng)者Jimmy Reed、刷弦吉他巨匠Elmore James、布魯斯創(chuàng)作家Willie Dixon、德州布魯斯吉他權(quán)Aaron ‘T-Bone’ Walker,還有啟發(fā)克萊普頓最深的穆蒂華特斯的作品,諸如: “Before You Accuse Me(Take A Look At Yourself)” 、 “Mean Old World”、“Ain’t That Loving You”、 “The Sky Is Cryin’”、“Meet Me(Down At The Bottom)”、“Stormy Monday” “Blow Wind Blow”,加上克萊普頓自己創(chuàng)作的布魯斯作品像是“Cryin’ ”、“Wonderful Tonight”等傳世經(jīng)典,更有“Alberta”、 “Before You Accuse Me(Take A Look At Yourself)-version 2”、 “Further On Up The Road”等5首首度于99年曝光的現(xiàn)場演唱版本,總計(jì)25首布魯斯歌曲全記錄,錯(cuò)過它就等于錯(cuò)過最好的布魯斯!
If this were your first exposure to Eric Clapton, a bit of bewilderment would be in order. This is the legendary guitar icon? This is (as his early apostles once proclaimed) God? Ranging from the mid-′80s through the late ′90s, The Clapton Chronicles owes less to the groundbreaking blues-rock of Clapton′s ′60s and ′70s classics than to the polished-to-a-glare pop of Phil Collins, who produced one of the tracks included in this 14-song anthology. His reinterpretation of his greatest recording--the once-gripping, now-placid "Layla"--perhaps best illustrates Clapton at middle-age: Who wants to bask in his darkest period? Not Clapton, who converts his surging, purging charge into a soothing stroll. And perhaps not fans of such docile MOR fare as "My Father′s Eyes," "Tears in Heaven," and t"/>
永垂不朽的布魯斯精神 跨越世紀(jì)的布魯斯經(jīng)典 Eric Clapton
蟬連Billboard布魯斯專輯榜10週冠軍!!
囊括:“Wonderful Tonight”等20首布魯斯杰作與5首99年歲末首度曝光現(xiàn)場演唱版本
當(dāng)Eric Clapton的手碰到吉他的那一瞬間,藍(lán)藍(lán)的哀怨惆悵頓時(shí)泛進(jìn)情緒的角落,吉他之神的指間與吉他弦間的情感對話,35年來感動(dòng)著無數(shù)樂迷,樹立了布魯斯的典范,從60年代Yardbirds、Cream、Derek And The Dominos樂團(tuán)時(shí)期到70年代單飛后的暢銷金曲“ I Shot The Sheriff”、 “Lay Down Sally”、 “Wonderful Tonight”再到90年代的動(dòng)人小品“Tears In Heaven”、“Change The World”, 勇奪8座格萊美獎(jiǎng),坐擁3張Billboard流行專輯榜冠軍專輯與5張TOP 10專輯的Eric Clapton,追隨布魯斯先鋒Robert Johnson、Muddy Waters的精髓,無時(shí)不刻的以吉他與歌聲表達(dá)內(nèi)心難以言喻的布魯斯心情。
環(huán)球音樂旗下的Polydor音樂廠牌99年匯整推出-蟬連Billboard布魯斯專輯榜10週冠軍專輯【Blues】,正是見證Eric Clapton與吉他指間最藍(lán)色心情對話魔力的精選特輯,全新以數(shù)字化錄音技術(shù)整理他在70、80年代間最經(jīng)典的布魯斯演唱作品,從Delta acoustic 原音布魯斯到芝加哥電子布魯斯,從Bo Diddley、口風(fēng)琴大師Little Walter、二次大戰(zhàn)后布魯斯運(yùn)動(dòng)帶領(lǐng)者Jimmy Reed、刷弦吉他巨匠Elmore James、布魯斯創(chuàng)作家Willie Dixon、德州布魯斯吉他權(quán)Aaron ‘T-Bone’ Walker,還有啟發(fā)克萊普頓最深的穆蒂華特斯的作品,諸如: “Before You Accuse Me(Take A Look At Yourself)” 、 “Mean Old World”、“Ain’t That Loving You”、 “The Sky Is Cryin’”、“Meet Me(Down At The Bottom)”、“Stormy Monday” “Blow Wind Blow”,加上克萊普頓自己創(chuàng)作的布魯斯作品像是“Cryin’ ”、“Wonderful Tonight”等傳世經(jīng)典,更有“Alberta”、 “Before You Accuse Me(Take A Look At Yourself)-version 2”、 “Further On Up The Road”等5首首度于99年曝光的現(xiàn)場演唱版本,總計(jì)25首布魯斯歌曲全記錄,錯(cuò)過它就等于錯(cuò)過最好的布魯斯!
If this were your first exposure to Eric Clapton, a bit of bewilderment would be in order. This is the legendary guitar icon? This is (as his early apostles once proclaimed) God? Ranging from the mid-′80s through the late ′90s, The Clapton Chronicles owes less to the groundbreaking blues-rock of Clapton′s ′60s and ′70s classics than to the polished-to-a-glare pop of Phil Collins, who produced one of the tracks included in this 14-song anthology. His reinterpretation of his greatest recording--the once-gripping, now-placid "Layla"--perhaps best illustrates Clapton at middle-age: Who wants to bask in his darkest period? Not Clapton, who converts his surging, purging charge into a soothing stroll. And perhaps not fans of such docile MOR fare as "My Father′s Eyes," "Tears in Heaven," and t
