在90年代變化萬千的音樂潮浪中，F(xiàn)oo Fighters的崛起，是一個音樂里程的象徵、是一種搖滾精神延續(xù)之動力、銜接新世代來臨交替的典范。說到Foo Fighters就不得不提樂團靈魂支柱Dave Grohl！當(dāng)正值青少年時期的Dave Grohl沉迷于音樂誘惑下，硬蕊朋克樂種是驅(qū)使他快速加入樂團，體驗叛逆不羈搖滾生涯的開始，最為熟知的莫過于加入引領(lǐng)Grunge風(fēng)潮之霸Nirvana！《The Colour And The Shape》是Foo Fighters推出的第二張專輯，特地邀請搖滾界的高手Gil Norton (Patti Smith、The PIxies、James) 擔(dān)任主力制作，一推出首週即空降全美專輯榜Top 10，并締造My Hero, Monkey Wrench, Everlong等暢銷單曲，這張專輯也成為這組當(dāng)代樂壇搖滾界一哥最具代表性的作品之一！
by Stephen Thomas ErlewineSince the first Foo Fighters album was a collection of Dave Grohl solo recordings, their second, The Colour and the Shape, is in many ways their official debut, and it certainly does sound different than its predecessor. Producer Gil Norton has tightened up the sound considerably -- his control was so tight that drummer William Goldsmith left the band during the recording, leaving Grohl to record the rhythm tracks for the bulk of the album. Certainly, Norton's big, shiny production makes The Colour and the Shape sound more professional than the debut, but the presence of a full band makes a difference, too. The full Foo Fighters make Grohl's songs heavier, not punkier, which may be a little unsettling to fans of the debut's ragged, amateurish edge. It's also strange that the album has such a glossy, arena-ready sound, since Grohl's songs are introspective, quite different than the endearing punk-pop of its predecessor. They're also not quite as catchy as before, but the band compensates by delivering them with a brutal energy. Still, the lack of immediate hooks prevents The Colour and the Shape from truly catching fire.
"/>專輯簡介：
◎四座格萊美獎黃袍加身、12首現(xiàn)代搖滾榜Top 10、全球逾千萬銷售…美國最具影響力搖滾天團樂團97年轟動歌壇震撼代表作！
在90年代變化萬千的音樂潮浪中，F(xiàn)oo Fighte更多>
◎四座格萊美獎黃袍加身、12首現(xiàn)代搖滾榜Top 10、全球逾千萬銷售…美國最具影響力搖滾天團樂團97年轟動歌壇震撼代表作！
在90年代變化萬千的音樂潮浪中，F(xiàn)oo Fighters的崛起，是一個音樂里程的象徵、是一種搖滾精神延續(xù)之動力、銜接新世代來臨交替的典范。說到Foo Fighters就不得不提樂團靈魂支柱Dave Grohl！當(dāng)正值青少年時期的Dave Grohl沉迷于音樂誘惑下，硬蕊朋克樂種是驅(qū)使他快速加入樂團，體驗叛逆不羈搖滾生涯的開始，最為熟知的莫過于加入引領(lǐng)Grunge風(fēng)潮之霸Nirvana！《The Colour And The Shape》是Foo Fighters推出的第二張專輯，特地邀請搖滾界的高手Gil Norton (Patti Smith、The PIxies、James) 擔(dān)任主力制作，一推出首週即空降全美專輯榜Top 10，并締造My Hero, Monkey Wrench, Everlong等暢銷單曲，這張專輯也成為這組當(dāng)代樂壇搖滾界一哥最具代表性的作品之一！
by Stephen Thomas ErlewineSince the first Foo Fighters album was a collection of Dave Grohl solo recordings, their second, The Colour and the Shape, is in many ways their official debut, and it certainly does sound different than its predecessor. Producer Gil Norton has tightened up the sound considerably -- his control was so tight that drummer William Goldsmith left the band during the recording, leaving Grohl to record the rhythm tracks for the bulk of the album. Certainly, Norton's big, shiny production makes The Colour and the Shape sound more professional than the debut, but the presence of a full band makes a difference, too. The full Foo Fighters make Grohl's songs heavier, not punkier, which may be a little unsettling to fans of the debut's ragged, amateurish edge. It's also strange that the album has such a glossy, arena-ready sound, since Grohl's songs are introspective, quite different than the endearing punk-pop of its predecessor. They're also not quite as catchy as before, but the band compensates by delivering them with a brutal energy. Still, the lack of immediate hooks prevents The Colour and the Shape from truly catching fire.
