“錄制一張唱片就像是談戀愛一樣,愛時(shí)候像火燒,恨時(shí)候像火燎”低苦艾樂隊(duì)主唱?jiǎng)胰缡钦f。自2010年參加完10月國內(nèi)的幾個(gè)大型音樂節(jié)演出之后,低苦艾樂隊(duì)就開始了新唱片的錄制工作,從選歌到前期錄音、唱片設(shè)計(jì)、縮混、母帶處理等等所有的環(huán)節(jié)樂隊(duì)都親力親為,努力把唱片按照最初美妙的設(shè)想做好,樂隊(duì)甚至放棄了期間許多的音樂節(jié)及其他類型的演出,就為了專心打造這張新唱片。

低苦艾樂隊(duì)新唱片名為《蘭州 蘭州》(Lanzhou Lanzhou),是從新專輯中收錄的歌曲《蘭州 蘭州》而來,據(jù)悉,整張唱片將貫穿一個(gè)“蘭州”的線索,每首歌曲都有一些和蘭州有關(guān)的小元素。唱片總共收錄9首新歌,有《隨風(fēng)而逝》、《不叫鳥》這樣低苦艾式的黑色暗喻、獨(dú)立關(guān)懷式的歌曲,又有像《蘭州 蘭州》、《那只船》這樣在律動(dòng)和節(jié)奏上下足功夫讓人眼前一亮的作品,這些歌曲的嘗試讓我們看到低苦艾樂隊(duì)成熟老道的編曲功力,其中還有值得一提的與上張唱片中《小花花》這首經(jīng)典之作相應(yīng)的一首歌《小草草》,這首同樣動(dòng)人的單吉他彈唱作品相信會(huì)和《小花花》一樣成為國內(nèi)民謠歌曲的經(jīng)典作品。

唱片的封面包裝將采用手繪制圖,全手工精心打造。讓我們靜心期待,唱片于10月面市,同時(shí)低苦艾樂隊(duì)將開始圍繞新專輯宣傳的全國巡演,我們會(huì)看到一如既往的低苦艾樂隊(duì)與他們帶來的全新唱片《蘭州 蘭州》 。

相信這是一張讓我們?cè)?011年感動(dòng)、熱血、溫暖的《蘭州 蘭州》 。

Low Worwood’s album Lanzhou Lanzhou was first released under Maybe Mars’ folk branch lable Maybe Horse. The cliché goes that some geographical areas are synonymous with certain sounds: Merseybeat from Liverpool, for example, or grunge from Seattle. But it’s also the case that certain bands define their locales. Here, one tends to think of such acts as Arcade Fire, who did just that for Montreal with Funeral and The Suburbs. Such is the case with Low Wormwood, whose latest album, Lanzhou Lanzhou is perhaps a defining moment for both the band and the city of the title. Unlike many bands from Lanzhou, this quartet don’t practise harmony- driven guitar folk. The metrics of this album depart from their early grunge and shoot for a less fiery but more coherent structure, coupling string-soaked flourishes of folk-rock with mundane lyrics about day-to-day living in Lanzhou. It borders on being a concept album, but the catchy rhythms manage to dilute the anthropological solemnity and make this something special. Liu Kun, the fromtman of Low Wormwood said, recording this album was just like being in love. And as a Lanzhou band, this Lanzhou clue runs through the whole album, releated to every song. Unlike other folk bands from northwest of China, Low Wormwood’s songs are more gentle and soft, as warm as Lanzhou noodles. ‘Recording this album is almos"/>

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蘭州 蘭州

歌手:低苦艾歌曲

發(fā)行公司:兵馬司唱片/Indie Works

歌曲數(shù)量:5

發(fā)行時(shí)間:2011-09-30 00:00:00

蘭州 蘭州

專輯簡介:

“錄制一張唱片就像是談戀愛一樣,愛時(shí)候像火燒,恨時(shí)候像火燎”低苦艾樂隊(duì)主唱?jiǎng)胰缡钦f。自2010年參加完10月國內(nèi)的幾個(gè)大型音樂節(jié)演出之后,低苦艾樂隊(duì)就開始了新唱片的錄制工作,從選歌到前期錄音更多>

“錄制一張唱片就像是談戀愛一樣,愛時(shí)候像火燒,恨時(shí)候像火燎”低苦艾樂隊(duì)主唱?jiǎng)胰缡钦f。自2010年參加完10月國內(nèi)的幾個(gè)大型音樂節(jié)演出之后,低苦艾樂隊(duì)就開始了新唱片的錄制工作,從選歌到前期錄音、唱片設(shè)計(jì)、縮混、母帶處理等等所有的環(huán)節(jié)樂隊(duì)都親力親為,努力把唱片按照最初美妙的設(shè)想做好,樂隊(duì)甚至放棄了期間許多的音樂節(jié)及其他類型的演出,就為了專心打造這張新唱片。

低苦艾樂隊(duì)新唱片名為《蘭州 蘭州》(Lanzhou Lanzhou),是從新專輯中收錄的歌曲《蘭州 蘭州》而來,據(jù)悉,整張唱片將貫穿一個(gè)“蘭州”的線索,每首歌曲都有一些和蘭州有關(guān)的小元素。唱片總共收錄9首新歌,有《隨風(fēng)而逝》、《不叫鳥》這樣低苦艾式的黑色暗喻、獨(dú)立關(guān)懷式的歌曲,又有像《蘭州 蘭州》、《那只船》這樣在律動(dòng)和節(jié)奏上下足功夫讓人眼前一亮的作品,這些歌曲的嘗試讓我們看到低苦艾樂隊(duì)成熟老道的編曲功力,其中還有值得一提的與上張唱片中《小花花》這首經(jīng)典之作相應(yīng)的一首歌《小草草》,這首同樣動(dòng)人的單吉他彈唱作品相信會(huì)和《小花花》一樣成為國內(nèi)民謠歌曲的經(jīng)典作品。

唱片的封面包裝將采用手繪制圖,全手工精心打造。讓我們靜心期待,唱片于10月面市,同時(shí)低苦艾樂隊(duì)將開始圍繞新專輯宣傳的全國巡演,我們會(huì)看到一如既往的低苦艾樂隊(duì)與他們帶來的全新唱片《蘭州 蘭州》 。

相信這是一張讓我們?cè)?011年感動(dòng)、熱血、溫暖的《蘭州 蘭州》 。

Low Worwood’s album Lanzhou Lanzhou was first released under Maybe Mars’ folk branch lable Maybe Horse. The cliché goes that some geographical areas are synonymous with certain sounds: Merseybeat from Liverpool, for example, or grunge from Seattle. But it’s also the case that certain bands define their locales. Here, one tends to think of such acts as Arcade Fire, who did just that for Montreal with Funeral and The Suburbs. Such is the case with Low Wormwood, whose latest album, Lanzhou Lanzhou is perhaps a defining moment for both the band and the city of the title. Unlike many bands from Lanzhou, this quartet don’t practise harmony- driven guitar folk. The metrics of this album depart from their early grunge and shoot for a less fiery but more coherent structure, coupling string-soaked flourishes of folk-rock with mundane lyrics about day-to-day living in Lanzhou. It borders on being a concept album, but the catchy rhythms manage to dilute the anthropological solemnity and make this something special. Liu Kun, the fromtman of Low Wormwood said, recording this album was just like being in love. And as a Lanzhou band, this Lanzhou clue runs through the whole album, releated to every song. Unlike other folk bands from northwest of China, Low Wormwood’s songs are more gentle and soft, as warm as Lanzhou noodles. ‘Recording this album is almos