Jaco Pastorius

Jaco Pastorius是一顆流星，70年代時(shí)閃爍著耀眼的光芒，80年代時(shí)悲劇性的隕落了。他用自己獨(dú)創(chuàng)的無(wú)品電貝司，以驚人的演奏技巧和對(duì)音樂(lè)旋律的幻想，使貝司這門樂(lè)器掙脫在樂(lè)隊(duì)中的附屬位置，走到舞臺(tái)的最前端，讓人們首次感受到出自貝司的音樂(lè)魅力。他不僅是個(gè)有著華麗的演奏風(fēng)格的爵士樂(lè)手，更是一個(gè)集作曲、編配和制作于一身的三重天才。他和另一位樂(lè)手Stanley Clarke可被稱為是70年代在貝司演奏領(lǐng)域影響最重大的貝司手。
Jaco于1951年出生在美國(guó)的賓西法尼亞，八歲時(shí)隨家遷移到Fort Lauderdale，以后就一直成長(zhǎng)和生活在那里。幼年時(shí)的Jaco就喜愛(ài)上了R
by Richard S. Ginell
Jaco Pastorius was a meteor who blazed on to the scene in the 1970s, only to flame out tragically in the 1980s. With a brilliantly fleet technique and fertile melodic imagination, Pastorius made his fretless electric bass leap out from the depths of the rhythm section into the front line with fluid machine-gun-like passages that demanded attention. He also sported a strutting, dancing, flamboyant performing style and posed a further triple-threat as a talented composer, arranger and producer. He and Stanley Clarke were the towering influences on their instrument in the 1970s.
Born in Pennsylvania, Pastorius grew up in Fort Lauderdale, where he played with visiting R&B and pop acts while still a teenager and built a reputation as a local legend. Everything started to come together for him quickly once he started playing with another rookie fusionmeister, Pat Metheny, around 1974. By 1976, he had been invited to join Weather Report, where he remained until 1981, gradually becoming a third lead voice along with Joe Zawinul and Wayne Shorter. Outside Weather Report, he found himself in constant demand as a sessionman and producer, playing on Joni Mitchell, Blood Sweat and Tears, Paul Bley, Bireli Lagrene and Ira Sullivan albums — and his first eponymous solo album for Epic in 1976 was hailed as a tour de force. From 1980 to 1984, he toured and recorded with his own band, the innovative Word of Mouth that fluctuated in size from a large combo to a big band.
Alas, Pastorius became overwhelmed by mental problems, exacerbated by drugs and alcohol in the mid-80s, leading to several embarrassing public incidents (one was a violent crack-up on-stage at the Hollywood Bowl in mid-set at the 1984 Playboy Jazz Festival). Such episodes made him a pariah in the music business and toward the end of his life, he had become a street person, reportedly sighted in drug-infested inner-city hangouts. He died in 1987 from a physical beating sustained while trying to break into the Midnight Club in Fort Lauderdale. Almost totally forgotten at the time of his death, Pastorius was immediately canonized afterwards (Marcus Miller wrote a tune Mr. Pastorius in his honor) — too late for him to have received therapy or help.