Black Moth Super Rainbow

來(lái)自自匹茲堡的樂(lè)隊(duì)
Black Moth Super Rainbow 的音樂(lè)向來(lái)令人感覺(jué)獨(dú)特，擅長(zhǎng)以 vocoder 人聲以及古董 analog synth 製造迷幻而科幻的聲音，他們剛推出的第四張專輯 Eating Us，繼續(xù)以他們的拿手技倆帶大家參加一次迷幻旅程。
by Margaret Reges
A notoriously enigmatic band hailing from Pennsylvania, Black Moth Super Rainbow made waves on the indie circuit in the early 2000s with their brand of otherworldly, psychedelic indie pop. The project began in Pittsburgh in 2002, and expanded to include five members (Tobacco, the Seven Fields of Aphelion, Power Pill Fist, Iffernaut, and Father Hummingbird) in the following year. Packing a sound that nodded to contemporary retro-chic electronic acts like Air and the Octopus Project (who they would eventually collaborate with), the group released their first album, Falling Through a Field, in 2003. Basing their operations in an undisclosed location somewhere in rural Pennsylvania, the group released two more albums, Start a People and Lost Picking Flowers in the Woods, over the course of the next three years. A critically acclaimed collaboration with the Octopus Project, 2006's The House of Apples and Eyeballs, combined with a successful debut at that year's SXSW launched the group into the indie limelight. Their sticky, rainbow-tinted fourth release, Dandelion Gum, hit stores the following year.