簡(jiǎn)介：
小簡(jiǎn)介
20世界30-40年代boogie-woogie樂(lè)最偉大的鋼琴演奏家。他無(wú)疑也是當(dāng)時(shí)三大天王中最有實(shí)力的，他不但精通于這種狂放的樂(lè)風(fēng)，對(duì)于搖擺的把握也是信手拈來(lái)。
Albert Ammons was one of the big three of la 更多>
小簡(jiǎn)介
20世界30-40年代boogie-woogie樂(lè)最偉大的鋼琴演奏家。他無(wú)疑也是當(dāng)時(shí)三大天王中最有實(shí)力的，他不但精通于這種狂放的樂(lè)風(fēng)，對(duì)于搖擺的把握也是信手拈來(lái)。
Albert Ammons was one of the big three of late-30s boogie-woogie along with Pete Johnson and Meade Lux Lewis. Arguably the most powerful of the three, Ammons was also flexible enough to play swing music. Ammons played in Chicago clubs from the 1920s on, although he also worked as a cab driver for a time. Starting in 1934, he led his own band in Chicago, and he made his first records in 1936. In 1938, Ammons appeared at Carnegie Hall with Pete Johnson and Meade Lux Lewis, an event that really helped launch the boogie-woogie craze. Ammons recorded with the other pianists in duets and trios, fit right in with the Port of Harlem Jazzmen on their Blue Note session, appeared regularly at Cafe Society, recorded as a sideman with Sippie Wallace in the 1940s, and he even cut a session with his son, the great tenorman Gene Ammons. Albert Ammons worked steadily throughout the 1940s, playing at President Harry Trumans inauguration in 1949; he died later that year. Many of his recordings are currently available on CD.
