Strawberry Switchblade

英國(guó)新浪潮組合“Strawberry Switchblade”由成員Jill Bryson和Rose McDowall組成，在80年代中葉她們憑借歌特式的裝扮和蘇格蘭式流行曲調(diào)在英國(guó)的年輕人中掀起了一股不小的風(fēng)潮?！禨ince Yesterday》是她們的代表作，1984年發(fā)行。很多歌手翻唱過(guò)這首歌，然而，永遠(yuǎn)無(wú)法給人Strawberry Switchblade那特有的甜蜜中的頹廢。
by Michael Sutton
From the ominous shadows of Goth suddenly appeared two young girls in polka-dot dresses, flaming red lipstick, and hair ribbons. Looking like the brides of Robert Smith, Strawberry Switchblade made a brief splash on the U.K. charts and then abruptly vanished in the mid-?80s, leaving their fans with a handful of collectible singles and one LP of deceptively sweet-sounding dance pop. The duo of Rose McDowall and Jill Bryson first met in 1977 in Glasgow, Scotland, united by their love for punk and new wave. The pair became friends with James Kirk of Orange Juice, who encouraged them to start their own group. In 1981, the new act named themselves after a fanzine devoted to the legendary Postcard Records in Scotland: Strawberry Switchblade. The band originally consisted of four members, but the two other women eventually split from the group, leaving McDowall and Bryson on their own. Strawberry Switchblade became the opening act for Orange Juice. Signed to Postcard Records, the band didn't record their first single "Trees and Flowers" until they were picked up by Zoo. Echo & the Bunnymen's manager Bill Drummond became a fan of the group and convinced Ian McCulloch to pay for the manufacturing costs of "Trees and Flowers". "Trees and Flowers", which featured Aztec Camera's Roddy Frame on guitar, was released in July 1983 and sold 10,000 copies. Strawberry Switchblade gained mainstream attention by performing on BBC DJ Janice Long's radio program. Drummond then signed the group to Warner Bros. Records. Their next single, "Since Yesterday", hit No. 5 on the British charts in 1984, providing a sneak preview for their self-titled debut album a year later. However, the LP never made it to the U.S. Saturated with colorful, jubilant keyboards that disguised the sadness in the songs' lyrics, the hook-laden Strawberry Switchblade didn't achieve the commercial success that the popularity of "Since Yesterday" promised. Subsequent singles such as "Let Her Go" and "Who Knows What Love Is?" did well in the Philippines -- played heavily on the country's new wave radio stations -- but weren't as warmly embraced in the U.K. The band covered Dolly Parton's "Jolene", their last futile stab at mass acceptance. Strawberry Switchblade broke up in 1986, burned out from the pressure of having to sell records. McDowall collaborated with various dark, experimental acts like Nurse With Wound and Current 93; she also briefly played guitar for Felt. Although short-lived, Strawberry Switchblade developed a worldwide cult following years after they quit recording, and their only full-length was reissued on CD in Japan in the early ?90s.